Payoff
Payoff
Behind the Scenes of this Photo
Taken in the Gardiner Basin, Kings Canyon National Park, on July 19th, 2018
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Golden Face
Golden Face
Behind the Scenes of this Photo
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Candle Wax
Candle Wax
The Story Behind This Photograph:
Taken at Royce Lake in the John Muir Wilderness, California on July 16, 2017
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Skyline
Skyline
Behind the Scenes of this Photo
Taken at Temple Crag and 2nd Lake in the John Muir Wilderness, California on July 1st, 2016.
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Shepherd’s Pie Surprise
Shepherd’s Pie Surprise
The Story Behind This Photograph:
Taken at Thousand Island Lake in the Ansel Adams Wilderness, California, on June 14th, 2014 while on assignment for the Nikon D750 Camera.
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Magic
Magic
The Story Behind This Photograph:
Taken in Gardiner Basin in Kings Canyon National Park, California, on July 19th, 2018
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Stuck
Stuck
Behind the Scenes of this Photo
Taken at one of the many beautiful lakes in the Gardiner Basin in Kings Canyon National Park on July 20th, 2018.
I almost lost my shoes to the accumulated muck on the bottom of this lake. Kinda like stepping in a six-inch deep layer of snot. I don’t know what that stuff was for sure, but I’m assuming it was made of the decomposing bodies of other photographers who got trapped in it.
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Electric
Electric
The Story Behind This Photograph:
Taken at Stirling Falls in Milford Sound, New Zealand on May 4th, 2018.
Stirling Falls in Milford Sound is surely one of the world’s most unique waterfalls. First of all, it’s tall, stretching nearly 500 feet in a pure, elegant drop from its precipice down to the rocks at its base where it crashes and splatters in cacophonous melody. If it ever looks small it’s only because it’s being dwarfed by the mile-high mountains surrounding it that erupt almost vertically out of the fjord. Secondly, the waterfalls leaps into space only to land directly on the ocean below it. There is no land to interrupt the descent; it’s a free-fall with a salt water landing. The height of the falls and the ocean landing contribute directly to the third unique thing about the waterfall: if the flow of water and the direction of wind is just right, a marvelous display of interference patterns appears at the base of the falls, radiating out from the crash zone like so many jagged rings of electricity. The electricity extends from the waterfall to you. Something about the sounds, the grandeur, the dancing mists, and the beauty of the location makes your hair stand on end, and causes energy to course through your body.
I’ve photographed Stirling Falls from a boat about half a dozen times now and while the experience is always incredible, this particular voyage was the first time I saw these radiating lines of force. As we rounded the cliff to reveal the falls I was dialing in my settings and snapping a few quick test shots to ensure my exposure was spot on. The boat spends 3-4 minutes at the falls, though in the moment it only feels like seconds. And so for me it’s an adrenaline-fueled race against time. My senses start to tingle and my fingers get itchy. On this trip I started off photographing some intimate scenes with my longer lens but as soon as I saw the patterns at the base of the falls I switched over to my wide angle and began snapping away. I had only enough time to create 20 frames over the course of 55 seconds before the boat started to rotate out of position and back away from the falls. But those 55 seconds were some of the most breathtaking and exciting of that particular trip to New Zealand, and they kept me grinning the rest of the day. Even as I write this I am reliving the excitement of the moment and feeling the joy and exuberance wash over me in little electric waves.
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Smoky Spectrum
Smoky Spectrum
Behind the Scenes of this Photo
Taken from near Minaret Vista in Mammoth Lakes, California, on July 9, 2017.
Over the 2016-2017 winter Mammoth Lakes received a large amount of snow, to put it mildly. This meant that many roads in the area, such as the road to the Devil’s Postpile National Monument and Minaret Vista, remained closed long after they typically opened. So on the final morning of a High Sierra photography workshop we roused the participants extra early and began the 45-minute walk from the road closure to the Vista.
We arrived to find a decent amount of snow lingering in hard crusts all over the top of the ridge and ambled around it looking for good vantage points. Despite the huge snowfall and massive quantity of spring runoff wildfires had sprung up in the previous weeks throughout the Sierra and we saw the Long Valley Caldera to the east sitting thick and heavy with smoke. As the sun rose above the Glass Mountains it lit the clouds above a deep crimson and turned the smoky haze in the valley shapes of burnt oranges and yellows. With each ridge closer to us the haze grew less, which allowed the natural colors of the forest to shine through, creating a breathtaking spectrum of colors.
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Phantasm
Phantasm
Behind the Scenes of this Photo
Taken from a boat cruising down Milford Sound in Fiordland National Park, New Zealand on April 12th, 2016.
Stirling Falls is an impressive waterfall by most standards of the world: it’s a thunderous, 500-foot, single-drop falls. What makes it even more incredible is the fact that it plummets from the mountains directly into the ocean. And it does so in Milford Sound, one of the most scenic locations on the planet.
However, getting a photo of the falls is not easy. The only access to the Stirling Falls is by boat, and even the largest boats are subject to a rocking and swaying that makes shooting from a tripod essentially impossible. Not to mention that the falls itself puts off so much spray that your lens is often coated with water droplets within seconds.
In order to combat these issues for this photo I extended a single leg of my tripod, turning it into a monopod. This allowed for increased stability with some freedom of motion. I also used a telephoto lens; not only did this allow me to isolate just this fascinating interaction between the rocks on the water, but it also allowed me to focus past any droplets on my lens. Then I used a shutter speed of 1/15 sec, which was slow enough to show motion in the fast-falling water, but fast enough to capture the detail in the rocks.
In the end I loved the fantastical shape created by the rocks under the cascade, as it seems everyone sees something different in the photo.
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Temple of the Moon
Temple of the Moon
Behind the Scenes of this Photo
Taken in at the Temple of the Moon, Cathedral Valley, Capitol Reef National Park, Utah, on October 11, 2016.
The Temple of the Moon in Capitol Reef is a striking rock formation: it literally looks like a church made of mud and stone that rises hundreds of feet above the desert floor. And yet on my few visits to the park I’ve had trouble photographing it. Conditions never quite aligned for me to take a noteworthy photograph of the monolith. Until a visit in 2016, that is.
My friend Julia were on a whirlwind desert camping and road trip and almost on a whim decided to buzz out to Capitol Reef. We arrived in the park in the afternoon and decided to venture out for the night to the Cathedral Valley. Despite recent rains (even some sprinkles as we drove out), the backcountry roads were in good condition -minus a wash or two here and there- and we made good time to the area.
Arriving late at night under a waxing gibbous moon we hopped out of the car to see a series of high clouds streaking across the night sky. Even better was the full halo being created in the clouds by the light of the moon. I immediately grabbed my camera equipment and went sprinting off into the desert to line up a composition which placed the moon at the apex of the tower. In order to get a good exposure with clean details I decided to shoot some longer exposures of approximately 90 seconds. The tricky part was anticipating the moon’s movement during that 90 seconds so that the average position appeared to be directly above the tower.
After a series of frustrating but fun test shots I was able to make this image, which showed the moon and its halo, as well as a secondary spire on the Temple.
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Perito Moreno Petito Panino
Perito Moreno Petito Panino
Behind the Scenes of this Photo
Taken at the Perito Moreno Glacier in Los Glaciares National Park in Argentina on March 2, 2017.
In early 2017 I was on assignment for Nikon, creating sample images for their brand-new 8-15 mm fisheye lens. While I was a little perplexed initially about how best to use the lens I soon uncovered some of its secrets in regards to landscape photography. One of the coolest things about the lens is it provides a 180° circular field of view at 8 mm. When zoomed to 15 mm the FOV is still nearly 180° corner-to-corner, meaning you get around 150° across the frame. For those not familiar with the technical details of photography, allow me to simplify: 150° across the frame is insanely wide. It’s so wide you have to struggle not to accidentally include your feet in the bottom of the photo when shooting vertically.
It’s also so wide that it means you can shoot panoramic-style photos in a single frame. No stitching required, no panoramic ball heads, and no nodal point calculations. In this case it meant I could shoot this panoramic view of the extraordinarily massive and breathtaking Perito Moreno glacier in a single shot.
For this particular photo I visited the glacier three separate times, mostly under gray and rainy skies. But on this day I finally got a break in the clouds, a little atmosphere, and a little nice light on the glacier itself. Perfect conditions to make a nice little pano shot of the glacier, or a Perito Moreno Petito Panino.
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Who is Josh?
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